on there, and this was more of an action game, which is kind of what we liked to play." "It was a really exciting time in the labs, because usually we'd get games that'd come through," Juett recalls, noting she also thought it was cool that the game was made by only one guy. It was around 2008, and one of the games that came through the lab was The Dishwasher: Dead Samurai. In her first game industry job, Michelle Juett worked as a game tester putting Xbox Live Arcade titles through their paces. But perhaps more importantly, it set the stage for an eventual chance encounter with his future wife. The project scored him an Xbox Live Arcade publishing contract and the start-up cash needed to steer his aspirations back on course.
Silva had just won Microsoft's Challenge with The Dishwasher: Dead Samurai - a game he had tinkered away at over the years and then revamped over the course of four months entirely for the competition. Then he got the news that would change everything. "I basically had accepted at that point that it wasn't going to be a part of my life," he says.
With zero time to work on his game projects and a waning spirit, he begrudgingly convinced himself to give up on making games. That year - 2007 - was off to a rough start. "What I realized was that when I got home every night I didn't have enough time or energy to work on games for fun." "I remember when I was a teenager I made a thing on HyperCard. "I got a job doing applications development, which would have been a just fine 'real job,' but within the first two months it became this soul-crushing thing," he says. It was time to hunker down and try to earn a living. But when graduation rolled around, his bubble burst. He carved out additional blocks of development time whenever he could afford to blow off class work.
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Silva crafted code as a hobbyist developer in his spare time, even finding inventive ways to occasionally submit completed games instead of dull reports for his final class projects. I was like 'this is awesome!'" He was hooked.Ĭollege proved to be a perfect opportunity to play around with a broad range of game design experiments.
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"I uploaded it to AOL, and I had 400 people download it. "I remember when I was a teenager I made a thing on HyperCard. "Back then it was called shareware and nobody wanted it," he quips in a not-quite-joking tone. When Silva first began exploring his childhood dream of making games for a living over a decade ago, there was no such thing as "indie" in the gaming world - at least not in the same sense as it exists today. "I didn't make an animation for if you shot me down."īeneath the crazy blood-soaked haze and outlandish antics, there's a surprisingly tender side to the tale of Charlie Murder that binds its creators together beyond coding and creativity. "I had to press A for the animation for when you accepted," he chuckles slyly to his wife of just over a year during our phone interview. When the time came to pop the question, Silva booted up the special version of the game, started playing, got to the critical cutscene, hit the A button, dropped to one knee and produced the ring. "I sort of had a hint he was doing something suspicious because he was acting super weird all weekend." "I think the surprise was that there were so many people around us," she says. Juett suspected some kind of sneakery was afoot. "It was one of the most exciting yet terrifying things I've ever done," he says.
"I made a little cutscene where in-game me proposed to in-game Michelle and all of our characters were in the game crowded around watching," he recalls, adding that he covertly notified a bunch of their friends, telling them to gather at the game's demo booth at 3 p.m. It was a Charlie Murder demo session neither member of Ska Studios will forget.
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